"Beat Me" by Trash Juice (psy trance house violincore EDM streaming mp3)

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One Media® presents
"Beat Me"
by
Trash Juice
(psy trance house violincore EDM streaming mp3)

"Beat Me"

One Media® humbly submits its Steemit Music League #beatbattle season two, round seven (S2:R7) entry that'll keep you dancing to its Electronic Dance Music theme...

Recorded April 10, 2018 this tune features a steady house Electronic Dance Music beat with breaks for some heavy psy style swirling rhythm sounds, a hardcore edge in a thick mix that'll put every listener into a trance. From the trance and throughout, acoustic violin rises from just above subconscious to mix with the sweeping analog synths.


EDM with psy trance style swirling sounds, house/hardcore beat bringing something new to the Electronic Dance floor ... live acoustic violin, whadya call, 'violincore' ?!


Mostly the composer put the tune together paying primary and utmost attention to the kick beat, and once the kick, snare, high hat, and flanged crash was in place, he let himself loose on the electronica. White noise-constructed scratch and synthetic snare programmed to loop gives a polyrhythmic '3 against 4' feel at times. The composer then had much fun with a PAiA Gnome synth probing its ribbon to make sweeps and 'Star Wars bombs'. Noticing it all seemed centered around the key of G, the composer then put in a pulsating square synth bass, and with 'G' being the 'native key' for violin, the composer finally could not resist to break it out, resulting in the addition of the only acoustic instrument yielding a novel exhibit of otherwise entirely synthetic electronic music.

So in a flurry of inspired activity of about two hours, about a dozen tracks came into being. At first, a thick improvised sound that possibly only the composer himself could decipher, a substantial amount of effort subsequently went into envelope shaping and mixing to sculpt and unify the sound into a comprehensible form. In other words about two hours of creating, adding sounds on top of each other, and about four hours subtracting sound to get all the pieces into a unified, comprehensible whole. Of course, the topic of additive and subtractive processes spans practically all artforms and is worthy of much more elaboration than can be appropriately alloted here. Suffice it to say, a paraphrase of a quote attributed to several other composers in the past, "The space between the notes is more important."

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Happy listening!
Zig


©2018 One Media®

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